中国传统色彩在动画中的应用研究(2)

沈阳航空航天大学硕士学位论文

摘 要

在动画中，色彩是加强观众感官了解动画影片故事内容的要素之一，它影响着人们的理解力与感受力。动画风格是古典的还是现代的，是唯美的还是写实的，是气势辉煌的还是温馨美满的，可以讲色彩是动画创作中最重要的部分，渲染着整个动画影片的氛围。但色彩在人类生活中，因不同历史、不同环境、不同社会、不同阶层、不同文化、不同地域以及不同个人感受，从而产生不同的色彩搭配形式。

中国传统色彩是中国几千年大众生活和文化的积累，它反映在人们生活的各个角落中。作为中国传统元素的视觉形式之一，无论是在形式上还是在精神上都强烈的反映出中国深厚的文化底蕴及人们善良、朴实、智慧、锲而不舍的民族性格，它代表了一个民族特有的思想意识和审美观念。因此，本论文尝试从中国传统色彩对中国动画产生的影响以及所蕴含的文化内涵角度，探讨如何在继承和发扬民族色彩独特之处的基础上制作出符合现代观众审美需求的动画片。

本文通过整体的研究，较为系统的分析中国传统色彩的哲学基础、特征、规律等方面内容，并通过对中国古代建筑、京剧脸谱、水墨、年画中的色彩提炼，对中国传统色彩在现代动画创作中的运用进行探讨，分析并举例动画创作对中国传统色彩的传承和发展，以及对动画产生的审美效果。这对于我们发扬中国传统色彩中的文化，形成自己民族风格的动画片有着重要意义。

关键词：传统色彩；动画；审美需求；继承与发展；创新

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沈阳航空航天大学硕士学位论文

Abstract

Colour is to strengthen the sense of animation audience know one of the elements of the story content, it affects people's understanding and sensibility. Animation style is classical or modern, is sad or sad, and is the momentum of the brilliant or warm and happy, can tell a colour is the creation of animation is the most important part, rendering the whole animation film atmosphere. But colour in human life, because of different history, different environment, different social and different classes, different culture, different regions and different personal feeling, resulting in a different colour collocation form.

Chinese traditional colour is China several thousand years public life and the accumulation of culture, it reflected in each corner of life for the people. As China's traditional elements of one form of visual, whether in the form and spirit in all strong reflects China's profound culture and people good, simple, and wisdom, and perseverance of the national character, it represents a nationality unique thought consciousness and aesthetic ideas. Therefore, this paper try to from China's traditional color on the influence of Chinese animation and contain cultural connotation perspective, probes into how to inherit and carry forward the national colour unique based on making the accords with modern audience aesthetic needs of animated cartoon.

This article through the whole of the research, a systematic analysis of the connotation of the Chinese traditional color, the moral, features content, and through to the traditional Chinese colored, Peking Opera mask, ink, pictures of the color refining, of Chinese traditional color in the application of modern animation production are discussed, illustrating and analyzing Chinese traditional color on the creation of animation effects, animation production of Chinese traditional color reference, and animation creation of the Chinese traditional color inheritance and development. For this we carry forward Chinese traditional culture in the colour, form of national style cartoon has important significance.

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沈阳航空航天大学硕士学位论文

Keywords: Traditional color；Animation；The aesthetic demand；Inheritance and development；innovation

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沈阳航空航天大学硕士学位论文

目 录

第 1 章 绪论 ...................................................................................................... 1 1.1 论文研究的出发点 ........................................................................................................... 1

1.1.1 研究背景 ......................................................................................................... 1 1.1.2 国内外研究现状及水平 ................................................................................. 4

1.2 论文研究的目的和意义 ................................................................................................... 4 1.3 论文思路和结构，研究拟解决的问题 ........................................................................... 5

1.3.1 论文研究思路及方法 ..................................................................................... 5 1.3.2 研究的重点、难点和创新点 ......................................................................... 6

第 2 章 涉及本论文相关概念的解释及外延 ......................................................... 7 2.1 中国传统色彩的内涵及相关概念涉及 ........................................................................... 7 2.2 认识传统色彩在动画中的优势 ....................................................................................... 8

2.2.1 整体、统一的色调氛围 ................................................................................ 9 2.2.2 准确表现动画造型的特征属性 ................................................................... 10 2.2.3 层次感、空间感 ........................................................................................... 11

第 3 章 中国传统色彩的文化内涵及表现特征 .................................................... 13 3.1 中国传统色彩哲学观点 ................................................................................................. 13

3.1.1 “阴阳五行学”是中国哲学色彩的基础 ................................................... 13 3.1.2 以“礼”、“仁”为出发点的儒家色彩观 ................................................... 14 3.1.3 尚“黑”的道家色彩观 ............................................................................... 15

3.2 中国传统色彩的特征 ..................................................................................................... 16

3.2.1 中国传统色彩的象征性 ............................................................................... 16 3.2.2 中国传统色彩的装饰性 ............................................................................... 17 3.2.3 中国传统色彩的等级性 ............................................................................... 18

3.3 中国传统色彩的规律 ..................................................................................................... 19

3.3.1 以原色表现为主 ........................................................................................... 19 3.3.2 以纯色对比为主 ........................................................................................... 19 3.3.3 在对比中求和谐 ........................................................................................... 20

3.4 中国传统色彩在动画运用的优秀案例分析——《天书奇谭》 ................................. 20

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沈阳航空航天大学硕士学位论文

第 4 章 探寻民族传统色彩艺术表现形式对动画创作的启示 ............................... 25 4.1 戏剧脸谱中的色彩烘托 ................................................................................................. 25

4.1.1 戏剧脸谱色彩符号的象征 ........................................................................... 25 4.1.2 脸谱中的色彩反义 ....................................................................................... 27

4.2 民间年画色彩的装饰 ..................................................................................................... 27 4.3 传统民间玩具色彩特征 ................................................................................................. 29

4.3.1 布老虎 ........................................................................................................... 29 4.3.2 泥泥狗 ........................................................................................................... 30

4.4 水墨色彩对动画的熏陶 ................................................................................................. 30 4.5 古代建筑色彩的提炼 ..................................................................................................... 31 第 5 章 传统色彩对动画创作的审美效果 .......................................................... 33 5.1 民族化效果 ..................................................................................................................... 33

5.1.1 “中和之美” ............................................................................................... 34 5.1.2 讲究“意境”的审美效果 ........................................................................... 35

5.2 情绪化效果 ..................................................................................................................... 37 5.3 国内动画观众的审美需求 ............................................................................................. 38 第 6 章 学习与借鉴的方法 ............................................................................... 40 6.1 “拿来主义”与传承 ..................................................................................................... 40 6.2 多元、开放的创新之路 ................................................................................................. 42 6.3 与现代色彩风格相结合 ................................................................................................. 43

结 论 .......................................................................................................... 46 附录Ⅰ 毕业设计方案 .................................................................................... 48 参 考 文 献 .................................................................................................... 51 致 谢 .......................................................................................................... 53 攻读硕士期间发表（含录用）的学术论文 ................................................. 54

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