全新版大英综合教程3课文原文及翻译(6)

只有一个弊端。今天的克立弗一家晚上各自守着自己的电视机。随后他们各自上床。第二天早上，他们匆匆忙忙各奔各的岗位（上班或上学）。他们在各自不同的时间回家。他们分头吃饭。最后，他们又各自回到自己的电视机前，各自进行晚上的娱乐活动。在所有这些时段当中，他们什么时候相互交谈或见面呢？家人什么时候才相聚呢？

22 Certain realities of modern life cannot change. One is the need, in most families, for both parents to bring home a paycheck. Another is the distance many of us must travel to work or to school. But must everything change? And must we lose the family structure in the process? 现代生活的某些现实无法改变。其一是大多数家庭需要父母两个人的工资收入。其二是许多人必得去较远处上班或上学。可是，非得为此改变一切吗？我们非得在这一过程中丧失原有的家庭结构吗？

23 No one is suggesting that we go back to the 1950s. The Cleaver household was a fantasy even then, not reality. But we might borrow one important lesson from the Cleavers. It is that family life is just as important as work or play. If we agree, we'll find ways of spending more time together.

We'll find things to share. And then there will be something right with the picture.

没有人说我们应该回到五十年代去。克立弗家庭即使在当时也只是虚构而非现实。但我们或许能从这一人家获得一个重要的借鉴，即家庭生活和工作、娱乐同样重要。如果我们同意这一看法，我们就能设法找到更多时间聚在一起。我们就能找到共同的兴趣。那样的话，我们家庭生活的情景就颇为美妙了。

unit 2 The Freedom Givers In 2004 a center in honor of the ailroadIt sold no tickets and had no trains. Yet it carried thousands of passengers to the destination of their dreams.

2004年，一个纪念“地下铁路”的中心将在辛辛那提州成立。这条铁路不同寻常，它不出售车票，也无火车行驶。然而，它将成千上万的乘客送往他们梦想中的目的地。

The Freedom Givers

Fergus M. Bordewich

1 A gentle breeze swept the Canadian plains as I stepped outside the small two-story house. Alongside me was a slender woman in a black dress, my guide back to a time when the surrounding settlement in Dresden, Ontario, was home to a hero in American history. As we walked toward

a plain gray church, Barbara Carter spoke proudly of her great-great-grandfather, Josiah Henson. was confident that the Creator intended all men to be created equal. And he never gave up struggling for that freedom.给人以自由者 弗格斯·M·博得威奇

我步出这幢两层小屋，加拿大平原上轻风微拂。我身边是一位苗条的黑衣女子，把我带回到过去的向导。那时，安大略省得雷斯顿这一带住着美国历史上的一位英雄。我们前往一座普普通通的灰色教堂，芭芭拉·卡特自豪地谈论着其高祖乔赛亚·亨森。“他坚信上帝要所有人生来平等。他从来没有停止过争取这一自由权利的奋斗。”

2 Carter's devotion to her ancestor is about more than personal pride: it is about family honor. For Josiah Henson has lived on through the character in American fiction that he helped inspire: Uncle Tom, the long-suffering slave in Harriet Beecher Stowe's Uncle Tom's Cabin. Ironically, that character has come to symbolize everything Henson was not. A racial sellout unwilling to stand up for himself? Carter gets angry at the thought. Henson was a man of principle,

卡特对其先辈的忠诚不仅仅关乎一己之骄傲，而关乎家族荣誉。因为乔赛亚·亨森至今仍为人所知是由于他所激发的创作灵感使得一个美国小说人物问世：汤姆叔叔，哈丽特·比彻·斯陀的小说《汤姆叔叔的小屋》中那个逆来顺受的黑奴。具有讽刺意味的是，这一人物所象征的一切在亨森身上一点都找不到。一个不愿奋起力争、背叛种族的黑人？卡特对此颇为愤慨。“乔赛亚·亨森是个有原则的人，”她肯定地说。

3 I had traveled here to Henson's last home -- now a historic site that Carter formerly directed -- to learn more about a man who was, in many ways, an African-American Moses. After winning his own freedom from slavery, Henson secretly helped hundreds of other slaves to escape north to Canada -- and liberty. Many settled here in Dresden with him.

我远道前来亨森最后的居所――如今已成为卡特曾管理过的一处历史遗迹――是为了更多地了解此人，他在许多方面堪称黑人摩西。亨森自己摆脱了黑奴身份获得自由之后，便秘密帮助其他许多黑奴逃奔北方去加拿大――逃奔自由之地。许多人和他一起在得雷斯顿这一带定居了下来。

4 Yet this stop was only part of a much larger mission

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